Expand on any of the following questions from our first genre discussions. Be sure you are analyzing the films and readings (summaries and reviews will not work for this assignment); use the vocabulary and information about techniques you have learned from Anatomy of Film whenever possible:
- From Discussion 5 expand on either question 2 or question 3
- From Disucssion 6 expand on either question 1 or 2
- expand on Discussion 7 using at least three works (at least one of these must be a reading) to support your analysis
Compare and contrast a classic work of literature with its improbable film mate. OK, this needs a bit of explanation. If you were to compare, say, the book and the movie versions of True Grit, you would have a fair amount to say, but the pairing is obvious, predictable. If, however, you were to pair Shakespeare's Romeo and Juliet with the musical West Side Story, you'd have some more dramatic comparison/contrast. For this topic do not pick obvious comparisons; look for a film that is somehow based on a work of literature without being just a copy of it. Here are a few (of many) possibilities:
- Chaucer's "The Pardoner's Tale" (from The Canterbury Tales) and John Huston's The Treasure of the Sierra Madre
- Joseph Conrad's "The Heart of Darkness" and Francis Ford Coppola's Apocalypse Now
- Victor Fleming's film The Wonderful Wizard of Oz and Gregory Maguire's The Life and Times of the Wicked Witch of the West or the musical Wicked of the original novel The Wonderful Wizard of Oz by L. Frank Baum.
- Beowulf (author unknown) and John Gardiner's Grendel (yes, this is comparing a book with a book) or any of a number of unusual film versions (there is a sci-fi version of Beowulf and an interesting film version of Michael Chrichton's The Thirteenth Warrior; stay away from the simple CGI film; it's really a fairly literal re-make)
- Jane Austen's Emma and the Amy Heckerling's 1995 comedy Clueless
- Homer's The Odyssey and William Saroyan's The Human Comedy
- T.S. Eliot's "The Wasteland" and Federico Fellini's La Dolce Vita
- George Orwell's 1984 and Terry Gilliam's Brazil
- loads of Shakespeare:
- The Tempest and the sci-fi classic Forbidden Planet or Peter Greenaway's Prospero's Book
- Hamlet and Akira Kurosawa's The Bad Sleep Well
- Macbeth and Akira Kurosawa's Throne of Blood
- King Lear and Akira Kurosawa's (do we see a pattern here?) Ran
- A Midsummer Night's Dream and the teen comedy Get Over it! or Woody Allen's A Midsummer Night's Sex Comedy
- Twelfth Night and the teen comedy She's the Man
- of course the topic mentions Romeo and Juliet and West Side Story, but Baz Luhrmann's updated version of the play (reviewed poorly by Siskel and Ebert who said, "In one grand but doomed gesture, writer-director Baz Luhrmann has made a film that (a) will dismay any lover of Shakespeare, and (b) bore anyone lured into the theater by promise of gang wars, MTV-style" (how can you resist?); however, you will not get much mileage out of Franco Zefferelli's Romeo and Juliet because it's too literal a translation of the original play
There are tons of other options for this topic; I don't pretend to know them all, so if you have an idea that you think will work, you might want to run it by me first.
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